Testing immediate and retention effects of acoustic feedback on the boat motion in high-performance rowing
DOI:
https://doi.org/10.14198/jhse.2014.92.02Keywords:
Sonification, Rowing biomechanics, Performance analysis, Movement execution, TrainingAbstract
Evidence exists, that rhythmic information, provided audibly, supports the timing of movement-execution subliminally. This study aimed to test immediate effects of acoustic feedback (AF) on mean boat speed during on-water rowing training with elite athletes in two squad-levels and to observe the retention of effects. 20 athletes (14 seniors, age 22.6 ± 1.6 years, body mass 93.1 ± 9.8 kg, body height 192.5 ± 3.3 cm; 6 juniors, age 17.5 ± 0.2 years, body mass 85.0 ± 7.4 kg, body height 189.3 ± 8.8 cm) of the German National Rowing Team in 8 boats (small and big boats) participated in the study. Boat acceleration and distance travelled were measured with Sofirow. The boat’s acceleration-time trace was converted online into AF and presented to the athletes via speakers. Repeated measures within-subjects factorial ANOVA showed significantly increased mean boat speed with AF compared to baseline for both squad-levels (P < 0.01) as well as for the retention-test compared to pre-test (P < 0.01). Intra-cyclical analysis revealed significant changes in the acceleration-time traces. Athletes perceived AF as supportive for training, providing functional information about the boat-run, independently from vision. The concept was integrated into the final-preparation for the World Championships.
Funding
German Federal Institute of Sport Science (BISp) project no. IIA1-070802/11Downloads
References
Affeld, K., Schichl, K. & Ziemann, A. (1993). Assessment of rowing efficiency. International Journal Sports Medicine; 14 Suppl 1, 39-41. https://doi.org/10.1055/s-2007-1021223
Auhagen, W. (2008). Rhythmus und Timing. In Bruhn, H., Kopiez, R. & Lehmann, A. C. (Eds.). Musikpsychologie. Das neue Handbuch, Rowohlt Verlag, Reinbek bei Hamburg, 437-457.
Baca, A. & Kornfeind, P. (2006). Rapid feedback systems for elite sports training. IEEE Pervasive Computing, 5, 70-76. https://doi.org/10.1109/MPRV.2006.82
Baudouin, A. & Hawkins, D. (2004). Investigation of biomechanical factors affecting rowing performance. Journal of Biomechanics; 37, (7), 969-76. https://doi.org/10.1016/j.jbiomech.2003.11.011
Bengtsson, S.L., Ullén, F., Ehrsson, H.H., Hashimoto, T., Kito, T. & Naito, E. (2009). Listening to Rhythms activates motor and pre-motor cortices. Cortex, 45, 62-71. https://doi.org/10.1016/j.cortex.2008.07.002
Böhmert, W. & Mattes, K. (2003). Biomechanische Objektivierung der Ruderbewegung im Rennboot. In Fritsch, W. (Eds.). Rudern - erfahren, erkunden, erforschen. Gießen: Wirth-Verlag (Sport Media), 163-172.
Bregman, A.S. (1990). Auditory scene analysis: the perceptual organization of sound. MIT Cambridge, MA.
Bregman, A.S. (1993). Auditory scene analysis: Hearing in complex environments. In McAdams, S. & Brigand, E. (Eds.). Thinking in sound: The cognitive psychology of human audition. New York: Clarendon Press/Oxford University Press, 10-36. https://doi.org/10.1093/acprof:oso/9780198522577.003.0002
Cherry, E.C. (1953). Some experiments on the recognition of speech, with one and with two ears. Journal of the Acoustical Society of America 25, 975-979. https://doi.org/10.1121/1.1907229
Cohen, J. (1988). Statistical Power Analysis for the Behavioral Sciences. Hillsdale: Lawrence Erlbaum.
Effenberg, A. O. (2001). Multimodal Convergent Information Enhances Perception Accuracy of Human Movement Pattern. In Proc. 6th Ann. Congress of the European College of Sport Science (ECSS), Sport und Buch, Strauss, 122.
Effenberg, A.O. (2005). Movement sonification: Effects on perception and action. IEEE Multimedia, 12(2), 53-59. https://doi.org/10.1109/MMUL.2005.31
Effenberg, A. O., Fehse, U. & Weber, A. (2011). Movement Sonification: Audiovisual benefits on motor learning. BIO Web of Conferences, 1, 00022, 1-5. https://doi.org/10.1051/bioconf/20110100022
Effenberg, A.O. & Mechling, H. (2005). Movement-sonification: A new approach in motor control and learning. Journal of Sport & Exercise Psychology, 27, 58-68.
Gaver, W.W. (1993). How do we hear in the world? Explorations of ecological acoustics. Ecological Psychology, 5 (4), 285-313. https://doi.org/10.1207/s15326969eco0504_2
Grond, F. & Berger, J. (2011). Parameter Mapping Sonification. In Hermann, T., Hunt, A. & Neuhoff, J.G. (Eds.) The Sonification Handbook. Logos Verlag Berlin GmbH, 363-397.
Harfield, P., Halkon, B., Mitchell, S., Phillips, I., & May, A. (2014). A Novel, Real-time Biome-chanical Feedback System for Use in Rowing. Procedia Engineering, 72, 126-131. https://doi.org/10.1016/j.proeng.2014.06.004
Jones, M. R. (1986). Attentional rhythmicity in human perception. In Evans, J.R. & Clynes, M. (Eds.). Rhythm in language, learning and other life experiences. Springfield, IL: Charles C. Thomas.
Kenyon, G.P. & Thaut, M.H. (2005). Rhythmic-driven Optimization of Motor Control. In Rhythm, music and the brain: Scientific Foundations and Clinical Applications. New York: Routledge Chapman & Hall, 85-112.
Kleshnev, V. (2010). Boat acceleration, temporal structure of the stroke cycle, and effectiveness in rowing. Proceedings of the Institution of Mechanical Engineers, Part P: J. Sports Engineering and Technology, 224, 63-74. https://doi.org/10.1243/17543371JSET40
Krug, J., & Martin, D. (1999). Specifics of research in elite sport – examples and experience in Germany. In E. Müller, G. Zallinger, & F. Ludescher (Eds.), Science in elite sport, London: E & FN Spon, 51-65.
Levitin, D. & Cook, P. (1996). Memory for Musical Tempo: Additional Evidence that Auditory Memory Is Absolute. Journal of Perception and Psychophysics, vol. 58, 927-935. https://doi.org/10.3758/BF03205494
Liebermann, D.G., Katz, L., Hughes, M.D., Bartlett, R.M., McClements, J. & Franks, I.M. (2002). Advances in the application of information technology to sport performance. Journal of Sports Sciences, 20, 755-769. https://doi.org/10.1080/026404102320675611
Lippens, V. (2005). Inside the rower's mind. In Nolte, V. (Ed.): Rowing faster. Human Kinetics, Inc., 185-194.
Magill, R.A. (2010). Motor learning and control: Concepts and applications (9th ed.). Columbus: McGraw-Hill.
Mattes, K. (2012). Rowing technique. In Altenburg, D., Mattes, K. & Steinacker, J. (Eds.). Manual for Rowing Training. Technique, High Performance and Planning. 2nd ed. Limpert Verlag Wiebelsheim, 53-108.
Mattes, K. & Böhmert, W. (1995). Biomechanisch gestütztes Feedbacktraining im Rennboot mit dem "Processor Coach System-3" (PCS-3). In Krug, J. & Minow, H.-J. (Eds.). Sportliche Leistung und Techniktraining. 1. Gemeinsames Symposium der dvs-Sektionen Biomechanik, Sportmotorik und Trainingswissenschaft vom 28.-30.9.1994 in Leipzig, St. Augustin: Academia, 283-286.
McBride, M. (2005). Rowing Biomechanics. In Nolte, V. (Ed.) Rowing faster. Human Kinetics Publishers, Inc., 111-124.
Nolte, V. (2011). (Ed.) Rowing faster. Serious Training for serious rowers. 2nd ed. Human Kinetics.
Repp, B.H. (2006). Musical synchronization. In Altenmüller, E., Wiesendanger, M. & Kesselring, J. (Eds.), Music, motor control and the brain. Oxford: Oxford University Press, 55-76. https://doi.org/10.1093/acprof:oso/9780199298723.003.0004
Röthig, P. (1967): Rhythmus und Bewegung. Schorndorf: Hofmann.
Schaffert, N. (2011). Sonifikation des Bootsbeschleunigungs-Zeit-Verlaufs als akustisches Feedback im Rennrudern. Logos Verlag Berlin, ISBN 978-3-8325-3008-2.
Schaffert, N. & Mattes, K. (2011). Designing an acoustic feedback system for on-water rowing training. International Journal of Computer Science in Sport, 10 (2): 71-76.
Schaffert, N., Mattes, K. & Effenberg, A.O. (2011). An investigation of online acoustic information for elite rowers in on-water training conditions. Journal Human Sport Exercise 6 (2):392-405. https://doi.org/10.4100/jhse.2011.62.20
Schmidt, R.A. & Lee, T. (2011). Motor control and learning. A behavioral emphasis (5th ed.). Champaign: Human Kinetics.
Shams, L. & Seitz, A.R. (2008). Benefits of multisensory learning. Trends in Cognitive Science, 12(11), 411-417. https://doi.org/10.1016/j.tics.2008.07.006
Smith, R.M. & Loschner, C. (2002). Biomechanics feedback for rowing. Journal of Sports Sciences 20 (10), 783-791. https://doi.org/10.1080/026404102320675639
Tecchio, F. Salustri, C. Thaut, M.H., Pasqualetti, P. & Rossini, P.M. (2000). Conscious and pre-Conscious adaptation to rhythmic auditory stimuli: a magneto encephalographic study of human brain responses. Exp. Brain Res. 135: 222-230. https://doi.org/10.1007/s002210000507
Thaut, M.H. (2005). Rhythm, music and the brain: Scientific foundations and clinical applications. New York: Routledge.
Thaut, M.H. & Abiru, M. (2010). Rhythmic Auditory Stimulation in rehabilitation of movement disorders: A review of the current research. Music Perception 27:263-269. https://doi.org/10.1525/mp.2010.27.4.263
Warren, W.H. (2006). The dynamics of perception and action. Psychological Review, 113: 358-389. https://doi.org/10.1037/0033-295X.113.2.358
Downloads
Statistics
Published
How to Cite
Issue
Section
License
Copyright (c) 2015 Journal of Human Sport and Exercise
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Each author warrants that his or her submission to the Work is original and that he or she has full power to enter into this agreement. Neither this Work nor a similar work has been published elsewhere in any language nor shall be submitted for publication elsewhere while under consideration by JHSE. Each author also accepts that the JHSE will not be held legally responsible for any claims of compensation.
Authors wishing to include figures or text passages that have already been published elsewhere are required to obtain permission from the copyright holder(s) and to include evidence that such permission has been granted when submitting their papers. Any material received without such evidence will be assumed to originate from the authors.
Please include at the end of the acknowledgements a declaration that the experiments comply with the current laws of the country in which they were performed. The editors reserve the right to reject manuscripts that do not comply with the abovementioned requirements. The author(s) will be held responsible for false statements or failure to fulfill the above-mentioned requirements.
This title is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0).
You are free to share, copy and redistribute the material in any medium or format. The licensor cannot revoke these freedoms as long as you follow the license terms under the following terms:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
NonCommercial — You may not use the material for commercial purposes.
NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.
No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation.
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.
Transfer of Copyright
In consideration of JHSE’s publication of the Work, the authors hereby transfer, assign, and otherwise convey all copyright ownership worldwide, in all languages, and in all forms of media now or hereafter known, including electronic media such as CD-ROM, Internet, and Intranet, to JHSE. If JHSE should decide for any reason not to publish an author’s submission to the Work, JHSE shall give prompt notice of its decision to the corresponding author, this agreement shall terminate, and neither the author nor JHSE shall be under any further liability or obligation.
Each author certifies that he or she has no commercial associations (e.g., consultancies, stock ownership, equity interest, patent/licensing arrangements, etc.) that might pose a conflict of interest in connection with the submitted article, except as disclosed on a separate attachment. All funding sources supporting the Work and all institutional or corporate affiliations of the authors are acknowledged in a footnote in the Work.
Each author certifies that his or her institution has approved the protocol for any investigation involving humans or animals and that all experimentation was conducted in conformity with ethical and humane principles of research.
Competing Interests
Biomedical journals typically require authors and reviewers to declare if they have any competing interests with regard to their research.
JHSE require authors to agree to Copyright Notice as part of the submission process.