eMuseum of sports: Digital and televised media impact stemming from the virtual galleries and exhibitions
DOI:
https://doi.org/10.14198/jhse.2021.16.Proc1.08Keywords:
eMuseum, Sports, TechnologyAbstract
Museums are important instruments for preserving a group’s cultural memory and are responsible for its material or immaterial heritage. Furthermore, they participate in the tourism economy and in productive projects that contribute to the quality of life in the communities and regions in which they are located. Thus, in a period marked by the Coronavirus pandemic, with lockdowns going on in various parts of the world, online platforms for cultural consumption have been highlighted as a manner of guaranteeing entertainment and cultural access to the whole population. Thus, the present study aims to present the media impact results for the eMuseum of Sports in Brazilian digital and televised media. To fulfil this goal, the documental analysis technique was used to conduct a survey of the Sports eMuseum’s impact through digital data. The internet data was obtained from the social networks Facebook and Instagram and the eMuseum’s website, where all of its exhibits are concentrated. These digital communication media possess data analysis metrics that show how a certain post was followed by the public that uses these networks. Between April and October of 2020, the eMuseum of Sports launched 8 3D exhibits and 8 3D Galleries. On observing the gallery and exhibit contents in numbers, there are 184 collections (images or videos) in the exhibits and 560 in the galleries. At the end of this period, the total reach on the eMuseum’s social networks arrived at the expressive number of almost 4 million and 300 thousand people impacted by the content that was created and organized by the eMuseum. The conclusion is that the eMuseum of Sports had a significant media coverage and allowed content to be accessed, strengthening the democratization of various sports content at a moment when other forms of in-person visitation would not be possible.
Downloads
References
Becker, V., Gambaro, D., Souza Filho, G.L. (2015). O impacto das mídias digitais na televisão brasileira: queda da audiência e aumento do faturamento. Palabra Clave 18 (2), 341-373. https://doi.org/10.5294/pacla.2015.18.2.3
Bourdieu, P. (1997). Sobre a televisão. Rio de Janeiro: Jorge Zahar.
Etzkowitz, H. & Zhou, C. (2006). Triple Helix twins: innovation and sustainability. Science and Public Policy. 33 (1), 77-83. https://doi.org/10.3152/147154306781779154
Figueiredo, N.M.A. (2007). Método e metodologia na pesquisa científica. 2a ed. São Caetano do Sul, São Paulo, Yendis Editora.
Foucault, M. (1995). A arqueologia do saber. Rio de Janeiro: Forense Universitária.
Gandra, A. (2018). Pesquisa diz que, de 69 milhões de casas, só 2,8% não têm TV no Brasil. EBC-Agência Brasil. Retrieved from: https://agenciabrasil.ebc.com.br/economia/noticia/2018-02/uso-de-celular-e-acesso-internet-sao-tendencias-crescentes-no-brasil#:~:text=Por%20outro%20lado%2C%20no%20total,existiam%20102.633%20milh%C3%B5es%20de%20televis%C3%B5es. Acesso em: 24/11/2020.
Gil, A.C. (2010). Como elaborar projetos de pesquisa? São Paulo. Atlas. 5 ed.
Lévy, P. (2001). O que é virtual. São Paulo: Editora 34.
Mcluhan, M. (2007). Os meios de comunicação como extensão do homem. São Paulo. Cultrix.
Ministério da Saúde. (2020). Protocolo de manejo clínico do coronavírus (COVID-19) na atenção primária à saúde. Secretaria de Atenção Primária a Saúde (SAPS). V. 7. Brasília.
Ortiz, R. (2006). A moderna tradição brasileira. São Paulo. Brasiliense. 5 ed.
Pena, B.G. (2019). National eMuseum of Sport. In: In DaCosta, L. & Miragaya, A. - Eds, New Cognitive and Virtual Interactions of Sport Sciences and Studies, Nova Studio, Petrópolis. Retrieved from: http://www.sportsinbrazil.com.br/livros/sport-tech.pdf
Downloads
Statistics
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Journal of Human Sport and Exercise
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Each author warrants that his or her submission to the Work is original and that he or she has full power to enter into this agreement. Neither this Work nor a similar work has been published elsewhere in any language nor shall be submitted for publication elsewhere while under consideration by JHSE. Each author also accepts that the JHSE will not be held legally responsible for any claims of compensation.
Authors wishing to include figures or text passages that have already been published elsewhere are required to obtain permission from the copyright holder(s) and to include evidence that such permission has been granted when submitting their papers. Any material received without such evidence will be assumed to originate from the authors.
Please include at the end of the acknowledgements a declaration that the experiments comply with the current laws of the country in which they were performed. The editors reserve the right to reject manuscripts that do not comply with the abovementioned requirements. The author(s) will be held responsible for false statements or failure to fulfill the above-mentioned requirements.
This title is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0).
You are free to share, copy and redistribute the material in any medium or format. The licensor cannot revoke these freedoms as long as you follow the license terms under the following terms:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
NonCommercial — You may not use the material for commercial purposes.
NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.
No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation.
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.
Transfer of Copyright
In consideration of JHSE’s publication of the Work, the authors hereby transfer, assign, and otherwise convey all copyright ownership worldwide, in all languages, and in all forms of media now or hereafter known, including electronic media such as CD-ROM, Internet, and Intranet, to JHSE. If JHSE should decide for any reason not to publish an author’s submission to the Work, JHSE shall give prompt notice of its decision to the corresponding author, this agreement shall terminate, and neither the author nor JHSE shall be under any further liability or obligation.
Each author certifies that he or she has no commercial associations (e.g., consultancies, stock ownership, equity interest, patent/licensing arrangements, etc.) that might pose a conflict of interest in connection with the submitted article, except as disclosed on a separate attachment. All funding sources supporting the Work and all institutional or corporate affiliations of the authors are acknowledged in a footnote in the Work.
Each author certifies that his or her institution has approved the protocol for any investigation involving humans or animals and that all experimentation was conducted in conformity with ethical and humane principles of research.
Competing Interests
Biomedical journals typically require authors and reviewers to declare if they have any competing interests with regard to their research.
JHSE require authors to agree to Copyright Notice as part of the submission process.
